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D. Wigmore Fine Art, Inc.
Current Exhibition
Past Exhibitions
Inventory
Estates
Post-War Focus
Museum News
Reviews
About
contact
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EXHIBITION HISTORY
Featured
PAUL REED (1919-2015):
A RETURN TO BEAUTY
SOIL AND SPIRIT
THE TIMELESS ADIRONDACKS
EVOLVING AMERICAN ABSTRACTION
GABRIELE EVERTZ: WORKS FROM 1987 TO 1995
AMERICAN OP ART: SYSTEMS, PATTERNS, AND LIGHT
WOMEN PAINT SUMMER
SALLY MICHEL: STRUCTURED BEAUTY
ABSTRACTION IN FIBER AND PAINT, 1976-1989
SUN, SEA AND DORIS LEE
AMERICAN STYLES OF THE 1930s
CHARLES GREEN SHAW (1892-1974): THE BERTHA SCHAEFER YEARS
THE CHANGING WEST: 1865-1965
I. RICE PEREIRA: THE NATURE OF SPACE
PAUL JENKINS: LYRICAL ABSTRACTION
THE FIGURE TELLS THE STORY
SALLY MICHEL: RESHAPING REALISM, 1950-1985
DORIS LEE: AMERICAN STORYTELLER
TADASKY: EXPANDING VISION, 1964-1970
THE BIRTH OF AMERICAN ABSTRACTION: THE 1936 CONCRETIONISTS EXHIBITION
HOMAGE TO THE SQUARE: ALBERS' INFLUENCE ON GEOMETRIC ABSTRACTION
AMERICAN ART FOR THE PUBLIC: MURAL STUDIES AND PAINTINGS, 1930-1945
EMIL BISTTRAM AND RAYMOND JONSON: FOUNDERS OF THE TRANSCENDENTAL PAINTING GROUP
DOT, STRIPE, DRIP: WASHINGTON COLOR PAINTERS
ENGAGING THE FAR WEST: ADOLF DEHN'S COLORADO AND PETER HURD'S NEW MEXICO
REALISM TO THE EDGE OF ABSTRACTION
DEVELOPING ABSTRACTION THROUGH COLLAGE
THE SHAPED CANVAS MOVEMENT OF THE 1960s
TERRA FLORIDA
SELECT EXHIBITIONS 2005-2017
Featured
SALLY MICHEL: FIELDS OF COLOR
CHARLES GREEN SHAW: PAINTING IN AN AMERICAN RHYTHM
1960s AMERICAN OP ART
PAUL JENKINS: COLOR AND FLOW
HUNT DIEDERICH: MAKING SCULPTURE MODERN
SALLY MICHEL: RHYTHMS OF LIGHT AND COLOR